Over the past few years, Alice Cohen‘s music has returned to the keyboard-driven sounds of the ’80s, and her latest album, Pink Keys, is a dream-pop odyssey comprised of carefully sewn-together analog synths. It’s a record that both recalls Cocteau Twins and ‘90s Pure Moods compilations (the latter is a compliment), and conjures up a fantastical landscape that’s best described by Cohen herself as music for “cosmic discotheques, dark misty beaches, tawdry hotels.” [Source]
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